I recently spent an evening at the Linway 14 Cinema for a screening of Life of Pi, a film based on the 2001 novel of the same name written by Yann Martel. I had finished the book only a few months earlier and was excited to see how Hollywood would adapt it. In short, I was not disappointed with the excellence that Life of Pi had to offer.
Life of Pi follows a young boy, Piscine Molitor Patel, as he grows up in Pondicherry. Pi, as he is nicknamed, develops a deep love for animals as he grows up living in a zoo that his father owns and operates. As he deals with this profound adoration, Pi also begins to explore the role of spirituality in the world he inhabits. His family’s Hindu traditions take on new meaning, but can no longer satisfy his desires to connect with a divine presence. Pi takes up Christianity and Islam, molding these three religions into an intriguing relationship with God which is put to the test when a shipwreck in the Pacific Ocean leaves him as the sole human survivor. He shares his lifeboat with Richard Parker, a Bengal tiger whose presence poses a constant threat to Pi as he struggles to survive.
At first glance, this premise seems incredibly limited. It features one character stranded in the middle of the ocean for the majority of the film’s 127 minute duration. So why does Life of Pi’s running time melt away, leaving its audience with more satisfaction than expected?
The reality of Life of Pi is that every fine detail has been attended to. Ang Lee (Brokeback Mountain, Taking Woodstock) serves as director and once again proves to be among Hollywood’s most masterful filmmakers. The artistic design dazzles and boasts impressive Computer-Generated Imagery (CGI). Tigers, elephants, zebras, and meerkats are among the digitally rendered creatures that receive a good amount of screen time. Nevertheless, these animals never seem fake and contribute heavily to the opinion that Life of Pi is the next Avatar.
This isn’t to say that Life of Pi is the embodiment of perfection, though it does boast impressive visuals, direction, and cast. Viewers who have read the novel will find some of their favorite little moments missing in the cinematic retelling. A PG rating deters Yann Martel’s gruesome and gory conclusion to Pi’s tale, warranting an oral explanation of these events instead.
Life of Pi is now playing. Rated PG for emotional thematic content throughout, and some scary action sequences and peril. My rating: Eight and a half stars out of ten.
~Jesse Bontreger